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Santiago is a fitting protagonist for Hemingway's greatest work. What Flamenco Sketches is to the lexicon of Miles Davis - a highly-crafted, lyrical, deeply spiritual, and passionate expression of Davis' jazz aesthetic framed in the cante jondo of Spanish flamenco music - The Old Man and The Sea is to Hemingway's work: an impassioned expression of Hemingway's lyric voic evoking the soul of Spanish culture and Cuban culture, rich in spiritual and mythological connections. Cante jondo, similarly, casts a mournful tone in its flamenco rhythms not unlike that Hemingway reveals in The Old Man and The Sea. Cante jondo, like The Old Man and The Sea, moves at a ballad tempo, speaks to life and death struggles, and embraces sorrow and joy in equal measure. *Sometimes your soul needs to be hurt.The Old Man and The Sea leads to a reading of The Epistle of James through Ernest Hemingway's deep understanding of Spanish Catholicism and Cuban culture Hemingway's greatest work, it is his cante jondo, his "deep song" in homage to the suffering of his generation. Porque el dolor también fortalece." - Moraíto Chico "A veces el dolor es necesario para el alma. In this documentary, Moraíto Chico ‘Morao’ gives us a glimpse of this life and shows us where the magic of his music lies: in what happens in between the notes, in what reverberates in silence.
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Moraíto Chico, a master of simplicity and incarnation of the soniquete, the contagious swing from his hometown Jerez, created an unparalleled, inimitable style full of life and grace, a reflection of his great personality and humour that ignited everything and everyone around him. “To make me sing like this, you have to play like him.” Her words underscore why great cantaores like José Mercé, with whom we see him perform in Córdoba, praise his art. Rocked by the gentle, earthly sounds and silences of Moraíto’s guitar, she demonstrates how the primitive flamenco singing of the past sounded. Like the late María Bala María Soto Monge (1933- 2014), sister ánd inspirator of the great singer Manuel Soto Sordera, one of the last keepers of the old cante jondo.
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It emerged on the lands around Jerez on the large farms where gipsies worked as day labourers. Together with his uncle Manuel Morao and his son Diego del Morao he forms the heart of the Morao gipsy dynasty that has put an indelible mark on the flamenco style from Jerez de la Frontera, one of the most prominent flamenco breeding grounds. Ánd we share with you the most intimate scenes that have not made it into the final edit of the documentary.Ī journey into the roots of flamenco and the art of living flamenco, through the art and person of legendary guitarist Manuel Moreno Junquera ‘Moraíto Chico’. Dedicated to the memory of the legendary guitarist Manuel Moreno Junquera ‘Moraíto Chico’ (1956 – 2011) we celebrate the 10th anniversary of this heartfelt documentary in high res. We're kicking off our online festival with the documentary El Cante Bueno Duele (Good Singing Hurts), the first documentary Flamenco Biënnale ever made. Husk å registrere deg for å kunne se filmen!ĪN INTIMATE JOURNEY INTO THE ART OF LIVING FLAMENCO, THROUGH THE LIFE OF LEGENDARY GUITARIST MORAÍTO CHICO